{"id":65,"date":"2026-03-09T21:42:18","date_gmt":"2026-03-09T21:42:18","guid":{"rendered":"http:\/\/localhost:8080\/en\/?post_type=venue&amp;p=65"},"modified":"2026-03-09T21:42:18","modified_gmt":"2026-03-09T21:42:18","slug":"space-of-25-light-years","status":"publish","type":"venue","link":"https:\/\/www.jwd-artspace.com\/en\/venue\/space-of-25-light-years\/","title":{"rendered":"Space of 25 Light Years"},"content":{"rendered":"\n<section class=\"exhibition-post-data-blocks body\">\n\t<div class=\"cover-image image-container\">\n\t\t<!-- Cover Image -->\n\t\t<img loading=\"lazy\" decoding=\"async\" width=\"1650\" height=\"2100\" src=\"https:\/\/www.jwd-artspace.com\/en\/wp-content\/uploads\/2021\/02\/poster1.jpg\" class=\"h-full w-auto\" alt=\"\" \/>\t<\/div>\n\n\t<div class=\"header\">\n\t\t<!-- Title -->\n\t\t\t\t<div class=\"title\">\n\t\t\t<h2 class=\"wp-block-post-title\">Space of 25 Light Years<\/h2>\t\t<\/div>\n\t\t\n\t\t<!-- Artists -->\n\t\t\t\t\t<h3 class=\"artists pb-1\">\n\t\t\t\tTakerng Pattanopas\t\t\t<\/h3>\n\t\t\n\t\t<!-- Curators -->\n\t\t\t\t\n\t\t<!-- Dates -->\n\t\t\t\t\t<div class=\"date pb-1 pt-4\">\n\t\t\t\t11 February \u2013 31 March 2021\t\t\t<\/div>\n\t\t\t<\/div>\n\n\t\t\t<div class=\"content\">\n\t\t\tBe Takerng Pattanopas\u2019s practice emerges from twin obsessions with space within and space without. Over many years, he continues to examine symbols for the\u00a0interior of the human body as they can be related to ideas of the infinite cosmos, and this preoccupation can be considered a distinctly 21st century, suggesting a sense of the zeitgeist.\u00a0His current work hybridizes sculpture, installation, and painting through an examination of voids, microscopic visualizations of the body, and tunnels and monoliths. The\u00a0latter motif was\u00a0inspired by the mysterious and impenetrable objects of Arthur C. Clarke&#8217;s novels and Stanley Kubrick&#8217;s famed film. All elements are precisely orchestrated by the artist so that viewers experience a strange ambiguity of experience, where meanings appear perpetually in flux.<br>\u00a0<br>About Artist<br>Be Takerng Pattanopas\u2019s contemporary art practice spans over two decades, starting from 1996 when he began his PhD in fine art in Gloucestershire, England, in 1996. A graduate from Chulalongkorn University, University of Wales, Cardiff, and later Cheltenham &amp; Gloucester CHE with a PhD in Fine Art.\u00a0 His recent solo exhibitions include\u00a0<em>Space of 25 Light Years<\/em>\u00a0at JWD Art Space, Bangkok (2021),\u00a0<em>The Nerve That Eats Itself\u00a0<\/em>(2018) at Gallery VER, Bangkok;\u00a0<em>What I Don\u2019t Know That I Know\u00a0<\/em>(2013) at H Gallery, Bangkok;\u00a0<em>Compulsive Orders\u00a0<\/em>(2011) at Tally Beck Contemporary in New York City;\u00a0<em>Permanent Flux\u00a0<\/em>(2009) at GMT+7 in Brussels; and\u00a0<em>Interior Horizons\u00a0<\/em>\u00a0(2008) at Catherine Schubert Fine Art in Bangkok.\u00a0\u00a0 His largest installation to date,\u00a0<em>GAP the Mind\u00a0<\/em>(2012) was commissioned for i Light Marina Bay 2012 in Singapore; recent group exhibitions include\u00a0<em>SPECTROSYNTHESIS II\u2013 Exposure of Tolerance: LGBTQ in Southeast Asia\u00a0<\/em>at Bangkok Art and Culture Center &#8211; BACC (2019-2020),\u00a0<em>Oscillations\u00a0<\/em>(2016), curated by Lyno Vuth\t\t<\/div>\n\t\n\t\n\t\t<div class=\"gallery-grid-wrapper\">\n\t\t<h3 class=\"title\">Gallery<\/h3>\n\t\t<div>\n\t<section class=\"gallery-grid\">\n\t\t<div class=\"container\">\n      \t\t\t\t\t<div class=\"gallery-grid__item \">\n\t\t\t\t\t\t        <\/div>\n      \t\t\t\t\t<div class=\"gallery-grid__item \">\n\t\t\t\t\t\t        <\/div>\n      \t\t\t\t\t<div class=\"gallery-grid__item \">\n\t\t\t\t\t\t        <\/div>\n      \t\t\t\t\t<div class=\"gallery-grid__item \">\n\t\t\t\t\t\t        <\/div>\n      \t\t\t\t\t<div class=\"gallery-grid__item hidden\">\n\t\t\t\t\t\t        <\/div>\n      \t\t\t\t\t<div class=\"gallery-grid__item hidden\">\n\t\t\t\t\t\t        <\/div>\n      \t\t<\/div>\n\n          <div class=\"gallery-grid__more-wrapper\">\n        <button class=\"gallery-grid__more-btn\">More<\/button>\n      <\/div>\n    \t<\/section>\n\n\t<\/div>\n\t<\/div>\n\t<\/section>\n","protected":false},"template":"","meta":{"cover_image":7007,"start_date":"2021-02-11","end_date":"2021-03-31","artists":"Takerng Pattanopas","curators":"","time":"","location":"JWD Art Space 188\/72 3rd Floor Chulalongkorn Soi16, Jarasmuang Rd, Wangmai, Thailand 10330","gallery":[7014,7020,7016,7022,7010,7018],"content":"Be Takerng Pattanopas\u2019s practice emerges from twin obsessions with space within and space without. Over many years, he continues to examine symbols for the\u00a0interior of the human body as they can be related to ideas of the infinite cosmos, and this preoccupation can be considered a distinctly 21st century, suggesting a sense of the zeitgeist.\u00a0His current work hybridizes sculpture, installation, and painting through an examination of voids, microscopic visualizations of the body, and tunnels and monoliths. The\u00a0latter motif was\u00a0inspired by the mysterious and impenetrable objects of Arthur C. Clarke's novels and Stanley Kubrick's famed film. All elements are precisely orchestrated by the artist so that viewers experience a strange ambiguity of experience, where meanings appear perpetually in flux.<br>\u00a0<br>About Artist<br>Be Takerng Pattanopas\u2019s contemporary art practice spans over two decades, starting from 1996 when he began his PhD in fine art in Gloucestershire, England, in 1996. A graduate from Chulalongkorn University, University of Wales, Cardiff, and later Cheltenham &amp; Gloucester CHE with a PhD in Fine Art.\u00a0 His recent solo exhibitions include\u00a0<em>Space of 25 Light Years<\/em>\u00a0at JWD Art Space, Bangkok (2021),\u00a0<em>The Nerve That Eats Itself\u00a0<\/em>(2018) at Gallery VER, Bangkok;\u00a0<em>What I Don\u2019t Know That I Know\u00a0<\/em>(2013) at H Gallery, Bangkok;\u00a0<em>Compulsive Orders\u00a0<\/em>(2011) at Tally Beck Contemporary in New York City;\u00a0<em>Permanent Flux\u00a0<\/em>(2009) at GMT+7 in Brussels; and\u00a0<em>Interior Horizons\u00a0<\/em>\u00a0(2008) at Catherine Schubert Fine Art in Bangkok.\u00a0\u00a0 His largest installation to date,\u00a0<em>GAP the Mind\u00a0<\/em>(2012) was commissioned for i Light Marina Bay 2012 in Singapore; recent group exhibitions include\u00a0<em>SPECTROSYNTHESIS II\u2013 Exposure of Tolerance: LGBTQ in Southeast Asia\u00a0<\/em>at Bangkok Art and Culture Center - BACC (2019-2020),\u00a0<em>Oscillations\u00a0<\/em>(2016), curated by Lyno Vuth","catalogue":0},"class_list":["post-65","venue","type-venue","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/www.jwd-artspace.com\/en\/wp-json\/wp\/v2\/venue\/65","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.jwd-artspace.com\/en\/wp-json\/wp\/v2\/venue"}],"about":[{"href":"https:\/\/www.jwd-artspace.com\/en\/wp-json\/wp\/v2\/types\/venue"}],"wp:attachment":[{"href":"https:\/\/www.jwd-artspace.com\/en\/wp-json\/wp\/v2\/media?parent=65"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}